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II · The Solitaire
The Creamware
By day: a line and a shape, holding its corner.
By night: the one place in the room that glows.
Rs. 8,280.00Tax included · free shipping across India
Scroll · the day passes through this room ↓
The vitrine stays lit
MaterialMetal and glass
BulbsSee the sheet
DimensionSee the sheet
Dispatch2–3 days, from Jaipur
The sheet
Everything on paper.
Specification, delivery and care
one card, nothing else.
BrandLumeilChecked in the Lumeil showroom, Jaipur
DimensionSee the sheetAsk the showroom for drawings
Body colourSee photosMetal and glass
StylePendant lightsThe Solitaire
PaymentCards · UPI · CODCash on delivery against a 10–20% advance
InstallationFree over ₹4 lakhBelow that, a fitter in your city at cost
Returns7-day windowDamaged or incorrect pieces exchanged or refunded in full
CareTwice a yearSoft brush for metalwork, damp microfiber for glass and crystal
Before you decide
Four questions, answered plainly.
For everything else, the showroom picks up till six
+91 97724 56345
Does it come with bulbs?Check the sheet above · some pieces ship with an in-built LED, others take your own bulb.
Will it be installed for me?Free across India over ₹4 lakh; below that, we connect a fitter in your city at cost.
When does it arrive?Dispatch in 2–3 business days from Jaipur; 2–10 days in transit, tracked to your door.
What if it arrives damaged?Photos within 7 days (an unboxing video helps): full exchange or refund, return shipping on us.
The Creamware, at length
The full story, for the detail readers.
No. 1 · The materialMetal and glassFinished in see photos and checked in the Jaipur showroom before it leaves.
No. 2 · The lightSee the sheetSee the sheet
No. 3 · The dropSee the sheetMeasured in millimetres. The showroom will send drawings for a difficult ceiling.
No. 4 · The placePendant lightsChosen for the solitaire, and at home in a pendant lights scheme.
A statement piece for contemporary and traditional rooms alike, built from materials chosen to last.All all pendant lights →
Creamware's defining quality has remained unchanged since Josiah Wedgwood perfected it in 1760 — a single-tone ceramic surface whose restrained colour and fired depth carry more material conviction than decorated alternatives three times its visual complexity. The Creamware pendant inherits that craft intelligence: a pure ceramic construction whose mono finish gives hotels, drawing rooms, and bedroom environments an overhead presence built from genuine material restraint rather than decorative ambition.
The ceramic body carries fired surface depth that paint and lacquer cannot replicate — its single tone sitting permanently within the material rather than applied above it, giving The Creamware a colour quality that reads as materially honest rather than surface-treated. Slight tonal variation across the ceramic form — an inevitable consequence of kiln temperature differentials during firing — gives each unit quiet individuality that mass-produced alternatives deliberately standardise away.
Interior light engaged, ceramic's opacity directs output downward in a focused wash — dining surfaces and drawing room seating plans receiving deliberate concentrated illumination while the ceramic body reads as a considered craft object from every viewing angle simultaneously.
