The Creamware (D88261/1)

Rs. 8,280.00
Tax included.

This Product is suitable for Hotels / Drawing Room / Bed Room / Restaurants / Office / Living Room
Technical Specification

Brand Gloss
Model No D88261/1
Dimension (In mm) D140*H250
Material Ceramic
Body Color Walnut
Light Color Warm White / White Bulb (Bought Separately as you Choose)
Style  Chandelier
Light Bulb & Wattage Only E-14*1 Bulb Holder is Available

 

Care and Maintenance

To keep your Mono Ceramic Mini Chandelier (D88261/1) looking their best, regularly dust the fixture with a soft, dry cloth to prevent dust buildup. For deeper cleaning, ensure the lamp is turned off and cool, then gently wipe the metal and glass surfaces with a damp cloth and mild soap, avoiding harsh chemicals that could damage the finish. Check the LED system periodically to ensure it is functioning properly. With minimal maintenance, this elegant wall light will continue to enhance your space beautifully for years to come, providing both style and functionality in your home

Customisation Requirement

While we don't offer custom lighting services, our extensive collection features various styles and designs to suit your unique preferences. But, if you want a one-of-a-kind piece then you can reach out to us at +91-9772456345

Shipping & Refunds

Orders are typically processed within 2-3 business days and shipped via our trusted carriers. We offer free shipping on all our products. For more details check our Shipping Policy

At Lumeil, we maintain a stringent Refund Policy. Your satisfaction is our priority, and we offer the option for a return or exchange in the rare occurrence of product damage or an incorrect delivery. Your peace of mind matters to us.

Description

Creamware's defining quality has remained unchanged since Josiah Wedgwood perfected it in 1760 — a single-tone ceramic surface whose restrained colour and fired depth carry more material conviction than decorated alternatives three times its visual complexity. The Creamware pendant inherits that craft intelligence: a pure ceramic construction whose mono finish gives hotels, drawing rooms, and bedroom environments an overhead presence built from genuine material restraint rather than decorative ambition.

The ceramic body carries fired surface depth that paint and lacquer cannot replicate — its single tone sitting permanently within the material rather than applied above it, giving The Creamware a colour quality that reads as materially honest rather than surface-treated. Slight tonal variation across the ceramic form — an inevitable consequence of kiln temperature differentials during firing — gives each unit quiet individuality that mass-produced alternatives deliberately standardise away.

Interior light engaged, ceramic's opacity directs output downward in a focused wash — dining surfaces and drawing room seating plans receiving deliberate concentrated illumination while the ceramic body reads as a considered craft object from every viewing angle simultaneously.
The Creamware (D88261/1)

DID YOU KNOW?

Creamware — the refined earthenware perfected by Josiah Wedgwood in Staffordshire, England around 1760 — achieved its characteristic pale cream tone through the precise combination of ball clay, calcined flint, and Cornish stone fired at temperatures producing a dense, chip-resistant body with a smooth, consistent glaze. Wedgwood's creamware became so commercially dominant that Queen Charlotte of England appointed him Royal Potter in 1765 — subsequently renamed "Queen's Ware" — establishing single-tone cream ceramic as the definitive luxury domestic material of the 18th century European interior, a material legacy that contemporary ceramic pendant design continues to reference with every mono-tone fired surface it produces.

explore more categories

Chandeliers

EXPLORE >

Pendant Lights

EXPLORE >

Wall Lamps

EXPLORE >

Indoor Lights

EXPLORE >

Outdoor Lights

EXPLORE >

Frequently asked questions

What ceiling height works best for The Creamware across its six target rooms?

For drawing rooms and dining areas, ceilings of 9–14 feet allow the ceramic form to establish full material and craft presence. Position the base 28–34 inches above dining surfaces for focused overhead clarity, or 7 feet from floor level in open living zones. Bedroom installations benefit from a drop positioning the pendant base at 6.5–7 feet — ceramic's visual warmth reads as intimate and sanctuary-appropriate at residential drop heights without imposing on the room's considered spatial quality. Hotel lobbies suit extended drops of 4–6 feet in double-height configurations where the ceramic form reads as a considered craft installation against grand-scale architectural surfaces.

Is ceramic construction durable enough for hotel and restaurant commercial environments?

High-fired ceramic achieves hardness comparable to natural stone — significantly more resistant to surface scratching and impact than painted metal or lacquered alternatives under commercial conditions. The mono glaze carries fired-surface integrity that resists colour degradation under sustained artificial light exposure — maintaining tonal depth throughout the pendant's operational lifetime without refinishing intervention. In hotel and restaurant environments, periodic dry dusting with a soft microfibre cloth maintains ceramic surface clarity. A quarterly maintenance schedule ensures the mono tone retains its characteristic depth and material honesty under sustained commercial use.

How does The Creamware integrate into a contemporary drawing room with an existing strong material palette?

As a deliberate exercise in considered restraint. Single-tone cream ceramic introduces no competing colour, pattern, or surface complexity into richly material drawing rooms — its fired mono tone providing overhead material presence whose restraint allows the room's existing composition to lead while contributing precisely specified downward illumination from above. Against layered textiles, timber surfaces, and brass accessories, The Creamware reads as a material peer whose single-tone conviction signals design literacy — one craft pendant whose restraint is its most sophisticated quality in compositions that already carry sufficient visual complexity at every other surface level.

Can The Creamware establish intimate atmosphere in a bedroom that prioritises sanctuary and material warmth?

As one of its most natural applications. Ceramic's thermal mass gives it a warmth that metal and acrylic pendants cannot achieve — the mono glaze surface holding ambient room temperature and radiating subtle material warmth that contributes to bedroom sanctuary quality independent of light output. Against white plaster, linen textiles, and pale timber flooring, The Creamware reads as a considered craft accent whose single-tone fired depth rewards proximity without demanding visual priority from across the room. Pair with a 2700K dimmable LED source to complement the cream ceramic's warm mono tone during evening wind-down hours.