The Raffia (2048/1)

Rs. 6,335.00
Tax included.

This Product is suitable for Hotels / Living Room / Dining Area / Drawing Room / Restaurants

Technical Specification

Brand Gloss
Model No 2048/1
Dimension (In mm)
Material Cane
Body Color Cane
Light Color Warm White / White Bulb(Bought Separately as You Choose)
Style Pendant Light
Light Bulb & Wattage Only E27 Bulb Holder is Available

Customisation Requirement

While we don't offer custom lighting services, our extensive collection features various styles and designs to suit your unique preferences. But, if you want a one-of-a-kind piece then you can reach out to us at +91-9772456345

Shipping & Refunds

Orders are typically processed within 2-3 business days and shipped via our trusted carriers. We offer free shipping on all our products. For more details check our Shipping Policy

At Lumeil, we maintain a stringent Refund Policy. Your satisfaction is our priority, and we offer the option for a return or exchange in the rare occurrence of product damage or an incorrect delivery. Your peace of mind matters to us.

Description

Woven natural materials carry geometry that manufactured pendants spend considerable effort approximating. The Raffia makes no approximation , cane construction whose weave pattern, strand tension, and botanical surface variation give hotels, drawing rooms, and restaurant dining spaces an overhead presence that synthetic alternatives cannot replicate regardless of form or finish investment.

The cane body is structurally considered , weave density and strand orientation determining both the pendant's silhouette and its light-filtering behaviour simultaneously, each construction decision serving formal and optical functions without separation. Against raw plaster, stone surfaces, and dark-stained timber, the natural cane tone reads as architecturally grounded rather than decoratively applied.

Light passes through weave gaps in precise dappled shafts , restaurant tables and drawing room surfaces receiving a shadow geometry overhead that shifts with viewing angle, the pendant projecting a secondary spatial event onto surrounding surfaces that solid-body construction physically prevents.
The Raffia (2048/1)

DID YOU KNOW?

Raffia , derived from the Raphia palm native to Madagascar and tropical Africa , shares its construction vocabulary with cane but differs in one critical material property: raffia fibres are harvested from young leaf fronds rather than stem bark, producing a finer, more flexible strand that achieves tighter weave densities than cane alone. In contemporary pendant construction, the two materials are frequently combined , cane providing structural rigidity at frame points while raffia-influenced weave techniques achieve the surface complexity and light-filtering precision that coarser cane construction cannot deliver independently.

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Frequently asked questions

What ceiling height works best for The Raffia across its five target rooms?

For drawing rooms and dining areas, ceilings of 9–14 feet allow the cane weave's shadow geometry to project across sufficient surface area to establish full spatial impact. Position the base 28–34 inches above dining surfaces , at this drop height, dappled light patterns are most defined across table surfaces, creating the intimate overhead character that restaurant and hotel dining environments specifically require. In double-height hotel lobbies, extended drops of 4–6 feet allow the cane construction to assert natural material presence against grand-scale architectural surfaces.

How does The Raffia's weave construction differ from standard cane pendant alternatives?

Weave density and strand orientation are the critical differentiators , tighter weave construction reduces light transmission while increasing shadow pattern definition, whereas looser weave allows greater light output with softer, less defined dappled projection. The Raffia's construction specifies weave density for its optical behaviour rather than purely its visual appearance , a technical consideration that positions it above decorative cane pendants where light output is secondary to material aesthetic alone.

How does The Raffia integrate into a contemporary hotel interior without reading as rustic or informally domestic?

Through material scale and considered placement. Cane's resurgence in premium hospitality design positions botanical construction as a deliberate luxury material choice rather than a casual domestic reference , particularly when the weave geometry is precise and the pendant's form is architecturally resolved. Against marble lobby surfaces, brass hardware, and stone flooring, The Raffia's natural construction reads as intentional material contrast , organic warmth providing the sensory counterpoint that hard-surface hotel interiors require overhead.

Can The Raffia work in a drawing room alongside existing formal furniture and layered textiles?

Naturally. Cane's neutral tonal range and botanical surface character align with the warm timber, linen, and leather surfaces that formal drawing rooms favour without competing for material priority. The weave's shadow projection onto drawing room walls introduces a secondary decorative layer that activates the room's upper surfaces during evening hours , a spatial quality that solid-body pendants and flush ceiling fixtures are structurally incapable of delivering regardless of finish or material specification.