The Marmo (T103/GD)
This Product is suitable for Hotels / Living Room / Office / Dining Area / Bed Room / Kitchen
| Brand | Gloss |
| Model No | T103/GD |
| Dimension (In mm) | D240*W120 |
| Material | Metal+ Marble |
| Body Color | Antique Brass |
| Light Color | Warm White |
| Style | Pendant Light |
| Light Bulb & Wattage | In-Built-LED 10W 3k |
While we don't offer custom lighting services, our extensive collection features various styles and designs to suit your unique preferences. But, if you want a one-of-a-kind piece then you can reach out to us at +91-9772456345
Orders are typically processed within 2-3 business days and shipped via our trusted carriers. We offer free shipping on all our products. For more details check our Shipping Policy
At Lumeil, we maintain a stringent Refund Policy. Your satisfaction is our priority, and we offer the option for a return or exchange in the rare occurrence of product damage or an incorrect delivery. Your peace of mind matters to us.
Marble overhead is an architectural statement that requires no justification , it arrives with three thousand years of premium interior design precedent already established. The Marmo brings that material authority into pendant form: metal and marble construction whose geological surface depth and structural precision give hotels, dining areas, and kitchen environments an overhead presence built from genuine material permanence rather than decorative ambition.
The marble surface carries veining and tonal variation that no two units share , mineral deposits laid down across geological timescales producing a surface individuality that manufactured finishes spend considerable effort approximating without success. Metal hardware frames the marble with engineering conviction, its finish providing geometric counterpoint to the stone's organic surface character at every structural junction.
Light engaged, the marble body directs output downward with focused authority , dining surfaces and kitchen countertops receiving concentrated overhead clarity while the stone surface itself reads as a sculptural object of considerable material distinction from every viewing angle simultaneously.
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